Last edited by Kigat
Wednesday, July 8, 2020 | History

5 edition of CROSS-CULTURAL VISIONS IN AFRICAN AMERIC found in the catalog.

CROSS-CULTURAL VISIONS IN AFRICAN AMERIC

FROM SPATIAL NARRATIVE TO JAZZ HAIKU

by YOSHINOBU HAKUTANI

  • 81 Want to read
  • 14 Currently reading

Published by Ohio State University Press .
Written in English

    Subjects:
  • American - African American,
  • American - African American & Black,
  • Social Science / African-American Studies,
  • Literary Criticism,
  • Literature - Classics / Criticism,
  • 20th century,
  • African American authors,
  • American literature,
  • Foreign influences,
  • History,
  • History and criticism,
  • Influence (Literary, artistic, etc.)

  • The Physical Object
    FormatHardcover
    Number of Pages251
    ID Numbers
    Open LibraryOL11352696M
    ISBN 100814210309
    ISBN 109780814210307

    Books For Africa remains the largest shipper of donated text and library books to the African continent, shipping over 48 million books to all 55 countries on the African continent since Last year alone, Books For Africa shipped million books, valued at over $38 million, and computers and e-readers containing nearly , This book, which presents ethnographic studies of multiethnic classrooms and schools in their community context, was designed to illuminate the benefits of an anthropological approach that recognizes the centrality of culture in education. Papers are grouped under three headings: (1) Cross-Culturally Compatible Schooling; (2) Community Contexts; and (3) Constructive Classroom Contexts.

    Boys into Men: Raising Our African-American Teenage Sons. A.J. Franklin and Nancy Boyd Franklin. (). New York: Plume. Drawing on African American family values and cultural and spiritual strengths, the authors help African American families of all kinds face the unique challenges of raising their teenage sons.   African American Communication: Exploring Identity and Culture begins an important dialogue in the communication discipline, intercultural studies, African American studies and other fields concerned with the centrality of culture and communication as it relates to human behavior. It is intended for advanced students and scholars in.

    Poet C.S. Giscombe reads his book-length poem Inland (Leroy Books), and discusses the prairie, the train, the fox, and African-American resonances. C.D. Wright discusses her two most recent books, Deep Step Shining and One Big Self, and her visions on the road and writing about prisons. African Heritage, Inc is exempt from federal income tax under section (a) of the Internal Revenue Code as an organization described in section (c) (3). MISSION African Heritage, Inc. is focused on supporting and increasing the awareness of African Americans, Blacks, and members of our service area that have an interest in African.


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CROSS-CULTURAL VISIONS IN AFRICAN AMERIC by YOSHINOBU HAKUTANI Download PDF EPUB FB2

: Cross-cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku (): HAKUTANI, YOSHINOBU: Books5/5(1). As W.

Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music.

The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers Cited by: 2.

About this book The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku.

Here, esteemed contributors investigate the impact of Eastern philosophy and religion on African American writers such as Richard Wright, Ralph Ellison, and Toni. Cross-Cultural Visions in African American Literature book. Read reviews from world’s largest CROSS-CULTURAL VISIONS IN AFRICAN AMERIC book for readers.

The most influential East-West artis Pages: Chapter 2 The Cross-Cultural Vision of Ralph Ellison’s Invisible Man (pp.

) Among the well-known twentieth-century African American novels, Invisible Man () has. Cross-Cultural Visions in African American Literature West Meets East.

Editors; Yoshinobu Hakutani; Book. Downloads; About this book. Introduction. The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku.

Here, esteemed. Cross-Cultural Visions in African American Literature: West Meets East. The most influential East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was the reading and writing of haiku.

Richard Wright wrote over four thousand haiku, Alice Walker’s work reflects her affinity for Zen philosophy, and Ishmael Reed’s work includes a discussion of Eastern thought.

Publisher Synopsis " Cross-Cultural Visions in African American Literature: West Meets East is a fresh approach to an important, though little studied, aspect of African American literature.

By Karobia Njogu, cross-cultural mission manager, CMS-Africa. The results of CMS-Africa training programmes are communities that have begun to manifest profound change. These communities of best practice are the fruit of the Holy Spirit’s work in the hearts and ministry of leaders and in the lives of people so that they begin to obey Christ’s commandments to love God and neighbour in.

Dr. Cheik Anta Diop’s vision of a United States of Africa formed the foundation of the political views of many Pan-African organizations, including ours. In this book, Cheikh Anta Diop gives you a clear vision for a federated African state, along with realistic steps for achieving it in our lifetime.

Religion, Art, and Visual Culture is a cross-cultural exploration of the study of visuality and the arts from a religious perspective. This forward looking and accessible collection gathers together the most current scholarship for those interested in art, religion, visual culture, and cultural studies.

Inherently interdisciplinary, this reader approaches the study of world religions through. A South American missionary who goes to India is an example.

Linguistic gifts are needed for M3 ministry. Historic hostilities can increase the distance between the missionary culture and the target culture, as the Jewish/Samaritan situation, and as Whites ministering to African Americans illustrate.

Principles of Cross Cultural Ministry. Books shelved as african-culture: Americanah by Chimamanda Ngozi Adichie, Tea Time for the Traditionally Built by Alexander McCall Smith, Stay with Me by. Represents the cross-cultural and international contextualization of the English language; Articulates the visions of scholars from major varieties of world Englishes – African, Asian, European, and North and South American.

February Kaveena by Boubacar Boris Diop (Translated by Bhakti Shringarpure and Sara C. Hanaburgh Indiana University Press) Boubacar Boris Diop is one of the giants of Francophone African literature, and though he’s never been a very prolific writer, it’s taken some time for the Anglophone world to get around to translating him (thank you, Indiana University Press!); until last year.

Cross-Cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku by Toru Kiuchi, Robert J. Butler, Yoshinobu Hakutani ISBN ().

Faithful Vision: Treatments of the Sacred, Spiritual, and Supernatural in Twentieth-Century African American Fiction; Cross-Cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku; Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature; Claude McKay, Code Name Sasha: Queer Black Marxism and.

The chapters are organized thematically: The first two concentrate on African American literature and culture (specifically the work of Amiri Baraka and Clarence Major); the next four center on the Black Mountain poets (chapters 4 and 5 concern Robert Duncan, while 6 and 7 consider Robert Creeley and Charles Olson, respectively); and chapters 8 through 11 highlight writing by Caribbeaners.

Joseph E. Holloway, Professor of Pan African Studies at California State University, Northridge, is a specialist in cross-cultural studies relating to Africa and Afro-Americana. He is a former Ford and Fulbright Scholar, and author of Liberian Diplomacy in Africa, Neither Black Nor White: The Saga of An American Family, and An Introduction to.

በራራ (ቀዳሚት አዲስ አባባ): አመሰራረት፣ እድገት እና ዳግም ልደት ( - ዓ.ም.)/ Barara (Addis Ababa’s Predecessor): Foundation, Growth, Destruction and Rebirth ( – ) by Habtamu Tegegne.

Wrote two essays/chapters in Cross-Cultural Visions in African American Literature: West Meets East, edited by Yoshinobu Hakutani, published by Palgrave Macmillan, Wrote book review of New Essays on the African American Novel: From Hurston and Ellison to.Cross-Cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku Hakutani; Dilution Anxiety and the Black Phallus Crawford; Displacement and the Somatics of Postcolonial Culture Robinson; The Ethics of Swagger: Prizewinning African American.

Afro-Latino expression in the U.S. had its most enduring impact thanks to Puerto Rican, Cuban and African-American musicians, who created a .